Commercial video
Commercials made for the people you need to reach.
Ads and social & vertical video for businesses, shot onsite or produced AI-augmented. Edit, color, sound and original music included.
Generic video gets scrolled past.
You need an ad for one audience and one screen: a spot, a branded short, a 9:16 clip. Video that looks like everyone else’s costs you twice.
Commercials we’ve produced
Spots, branded shorts and vertical social video.
Production, start to finish
One team from pre-production to delivery.
- Ads made for your audience: product spots and branded shorts
- Social & vertical video
- Onsite production, or AI-augmented visual production
- Post included: edit, color, sound, and original music
How it works
- 01Call or send the form.
- 02We plan the shoot around your audience and quote it to scope.
- 03We shoot onsite or produce it AI-augmented, edit, and deliver for where it runs.
Typical Seattle ranges
They are not fixed prices. Every project is quoted to its scope.
| Item | Typical Seattle range |
|---|---|
| Single-day shoot: simple interview or testimonial (per project) | $2,500–$6,000 |
| Branded video: multiple locations or interviews, with graphics (per project) | $6,000–$15,000 |
| Multi-day production with a larger crew (per project) | $15,000–$40,000+ |
| Drone / aerial footage (add-on, per project) | adds $500–$1,500 |
| Edited social clip (per clip) | $500–$3,000 |
| Full event coverage (per day) | $6,000–$18,000 |
| Corporate brand film (per project) | $15,000–$80,000+ |
| Director of photography (per day) | $600–$1,200 |
| Full crew: gaffer, PA, sound (add-on, per day) | adds $2,000–$5,000+ |
| Union crew | higher end of range |
| City permit | $25/day, billed separately |
Ranges are for Seattle. We also shoot onsite in other states, such as California, where Los Angeles has more studios.
Sources: Yes And Video · Video Editing Company · City of Seattle Film Manual
What changes the price
- Where it will run
- Shoot days and locations
- Actors (union or non-union)
- Crew only, or full scripting, production, and editing
Questions
Do you shoot onsite?
Yes. We shoot onsite, or produce it AI-augmented.
What does AI-augmented mean?
Selective generation woven into the same pipeline.
What formats do I get?
Delivery for broadcast, web and vertical social.
Is editing included?
Yes: edit, color, sound and original music.
Who owns the finished work?
You do: the client who pays for it owns the finished work. We may show it in our portfolio and showreel.
How is it priced?
Every project is quoted to its scope. See the typical Seattle ranges above.
Meet the team
We start with who the ad is for. Edit, color, sound and original music are made in-house in Seattle.

Filmmaker & science researcher
Skye Stout
IT expert. Science researcher for fun. Storyteller. Baby writer and filmmaker. Let's accomplish worlds!
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I've worked in the IT industry for two decades. My approach in storytelling is still human, though I've got the heart of an engineer. I've studied astronomy, cosmology, space time, biology, and neuroscience. I am an INFJ.
In books by Frank Herbert, Isaac Asimov, Arthur C. Clarke, and Stephen Baxter, you'll notice that world-building was highly involved. For example, Mr. Clarke was skilled in blending compelling narrative with solid science. What they started carried into film — Nature series on the Planets, 2001: A Space Odyssey, Close Encounters, Avatar, The Expanse. What Cameron and Lucas built on screen proved that science fiction could feel immersive.
This is my approach to storytelling and discussing science. Hard science fiction with heart. Immersive worlds where the technology feels inevitable, not invented. Ad Astra — without the depressing solitude of the universe. Documentaries that make science relatable.
I am a survivor. Of motor-neuron disease. Of unimaginable trauma. Of quantum weirdness.
And yet… I love to bake sourdough from ancient grains. Conduct science experiments. Make hard science easy. Approach biology with a systems engineer's perspective.
My greatest inspiration is Jose-Luis Reyes. Jose makes costumes, props, ship models. He acts. He shows up and builds whatever the story needs. That's the standard.
Spaceships are just toys, but bigger. With stellarator fusion, MIMS Drives, or possibly Warp Drives. I don't do hyperdrive. Sorry Star Wars fans.

Musician, writer, engineer & props maker
Jose-Luis Reyes
Jose-Luis Reyes was born in San Diego, California in 1951. He holds an engineering degree — which explains why the things he builds actually work.
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He designs and fabricates wardrobe, costumes, ship models, and practical props using custom molding, repurposed materials, and whatever the story demands. The James Webb mirror array in Alliance Arrival? The earpiece? That was Jose. He also starred in the film as the alien — because when you need someone who can build the set and perform on it, you call Jose.
He is also an accomplished cosplayer, a self-taught composer, and a multi-instrumentalist who plays synthesizer keyboard, classical guitar, 7-stringed electric violin, baroque cello, Turkish Oud, and duduk. He writes comedy, inspirational essays, and screenplays.
He is an Honorably Discharged United States Army veteran — Regular Army, volunteer, 1972–1976, Vietnam Era.
He is a survivor. Of cancer. Of unimaginable trauma.
And yet… he designs and makes toys. He sews costumes. He composes music. He teaches about the principles of truth and the need to live by them — to stand firm in one's integrity, to never back down, and to always hope. In oneself.
He raises his eyes to the night sky and dreams of the infinite stars there, and the worlds that are with them.
He cooks a mean shrimp-bacon and SPAM fried rice, heavy on the green onions. On occasion, he sings — after a couple of good brandies in his coffee.
He is your neighbor. He asks for nothing. He never has. And he will do everything he possibly can to help anyone.
Jose is the greatest inspiration behind Skybird Science Films. He shows up and builds whatever the story needs — and he reminds us why we tell these stories in the first place.
Ride the light. All the way home.
Start your commercial
Don’t spend your budget on an ad your customers scroll past.
Tell us who it’s for and where it will run. We’ll contact you within 2 business days.
Or call (206) 690-7593.
An ad made for your customers, cut for every screen it runs on.
